Psycho 1991 Series #2
Psycho 1991 Series #2
Available in stock (2)
| Free of tears at staple? | Inside pages | Flat | Cover free of tears | Cover Corners sharply cut | Cover colors reflect | Cover clean | ||
| Mint | 8 | Yes | White | Yes | Yes | Yes | Yes | Yes |
|
Near Mint |
7 | No, 1/16" max | White | Yes | Yes | Barely visible blunting | Yes | Yes |
|
Very Fine |
6 | No, but staples very firm |
|
Slight bend OK | Yes, tiny indentations | 1/4" max crease | High to medium | Yes |
| Fine | 5 | Staples firm | Yellow or tan | Bend OK | Yes, minor creases OK | Minor crease | Medium (fading) | Minor wear |
|
Very Good |
4 | 1 staple loose OK | Brown & minor tears OK | slight roll OK | Tiny tears, long crease or color chipping | Medium crease or 1/2" missing | Low or no | Medium wear; some |
| Good | 3 | 1 staple detached | Brown & moderate tearsOK | No | Minor tear or major crease | Major creases OK | No | No, dirty |
| Fair | 2 | 2/3 spine split ormissing | Brittle & coupons missing | No | Major tears up to 1/12th missing OK | Corners missing OK | No | No, very dirty |
| Poor | 1 | Cover detached | Brittle OK or pages missing | No | 1/3 + cover missing or severe rips | Corners+ missing OK | No | Severe stains / mildew |
Issue details
Issue details
Mature Audiences
Series: Psycho 1991 Series
Series details
Series details
Series: Psycho 1991 Series
For mature readers. Jake Riley hates superhumans. A lot... but he's got good reason. Because for the last several years, Riley has been an agent of SIN (the Super-Intelligence Network). He works hard, but it's a dead-end job and Riley knows it, because all the really good assignments go to the FCOs, the Freelance Costumed Operatives...a.k.a. the Psychos, for their wild, super-powered and effective methods. When Riley runs afoul of SIN, he's targeted by them and to survive, he's forced to become what he most hates...THE PSYCHO. Armed with specially designed body armor that gives him superhuman speed and reflexes, the hunter becomes the hunted.
Publisher: DC
Mature Audiences ·
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